Dr. Sarah Jane Pell |
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Aquabatics Australia Principal Arts & Science Research Underwater Research & Performance DirectorAppointed: 2002 Macquarie University Faculty of Arts Somatechnics Research Center Research AssociateAppointed: 2008 University of Western Australia School of Anatomy & Human Biology Adjunct LecturerAppointed: 2007 |  |
Mailing AddressAustralia | Contact Information |
Qualifications
SSP06, International Space University, Strasbourg, Space Science, 2006.
Ph.D., Edith Cowan University, Visual Arts, 2006.
ADAS P1 & 2R, The Underwater Centre, Fremantle, Commercial Diving, 2002.
M.A., Victorian University of Technology, Human Performance, 1998.
EPC 1, Royal Melbourne Institute of Technology, Engineering Production, 1996.
B.F.A., University of Melbourne, Arts, Drawing, 1995.
Memberships
Australian Network for Art & Technology
Extreme-design.eu
International Association of Space Entrepreneurs
International Space University Alumn
Maritime Union of Australia
National Association Visual Arts Australia
Perth Institute of Contemporary Arts
Society for Underwater Technology
The League of New Worlds
The Lifeboat Foundation Board of Scientific Advisors
Zero Gravity Arts Consortium
Expertise and Research Interests
Sarah Jane Pell is human factors researcher, artist and Occupational Diver specialising in interdisciplinary art & science research focused on systems of life support in extreme environments - from underwater, on earth and in outer space.
Other Expertise
Pell's ongoing research focuses on the relationship between technological innovation, advanced life support, human factors research, and aesthetic practices. Pell has extended experience in the visual and performing arts developing new choreographies and expertise in developing multimedia platforms, by converging audio visual new media and traditional arts medias and commercially relevant industry regulation equipment, technologies and science protocols. Her previous dissertation, Aquabatics as new works of Live Art, explored aqueous philosophies and issues around the human performance experience underwater through practical and theoretical examinations of the diving body producing innovative live art performance laboratories, prototype life support and pneumatic technologies, operational protocols and manuals for the practice of Aquabatics in accordance with Australian and UK ADAS/ HSE Occupational Diver Standards, various lectures, new media exhibitions and publications.
Future Research
Sub Culture: Exploring Weightless Environment Training (WET) and Digitally Real Immersive (DRI) Space Architectures to extend understanding of Human Performance Behaviour in these Environments. My intention is to investigate the possibility of extending weightless environment training (WET) architectures in light of pre-existing architectural protocols developed for use in space, current developments in contemporary performance and digitally real immersive (DRI) technologies. While my current posting as a Adjunct Lecturer, at the School of Anatomy & Human Biology, The University of Western Australia consolidates three years of collaborative association with SymbioticA: a pioneering art & science laboratory located within the school, and allows me to explore art and science collaboration and the critical new paradigms opened by the research nexus, my specific postdoctoral work will produce a report of recommendation for further research and a CD-ROM that will be concerned with the experimentation and treatment of new material and operational architectures of blended technological performance environments created for real bodies in real time and WET and DRI space through International Postdoctoral Research linkages with body-technology labs in the UK and advanced life/neutral bouyancy labs in the US.
By focusing on adaptive strategies and human-mechanico interfaces, linking traditional bio telemetry and psychological assessments, with human performance and dance communication, relay, and bio extension principals, my intention is to explore innovative systems support for use in long duration extreme environment habitat laboratories and expeditions. In my own labs, I am interested in developing interactive methodologies for the use of new technologies in performance contexts that foster social and perceptual approaches to mixed-environment design or, as I call them, habitats, to write on new possibilities for being and make recommendations for optimum, in situ site-specific performance. What happens when bio technologies - standard, modified and adaptable - that track the temporal dynamics and behavioural processes of people alive, in action towards new understandings of the variations in human time/space/place-specific response, are used in performance labs and the viewer, the supervisor, the standby, the support crews and production teams becomes part of an artwork? How are the aesthetics and protocols of operation, care, observation and communication in WET and DRI performance space cogent on utilitarian performance actuators and how are these factors identified, choreographed and orchestrated? Furthermore, what architectures and technologies arise from this?
By focusing on adaptive strategies and human-mechanico interfaces, linking traditional bio telemetry and psychological assessments, with human performance and dance communication, relay, and bio extension principals, my intention is to explore innovative systems support for use in long duration extreme environment habitat laboratories and expeditions. In my own labs, I am interested in developing interactive methodologies for the use of new technologies in performance contexts that foster social and perceptual approaches to mixed-environment design or, as I call them, habitats, to write on new possibilities for being and make recommendations for optimum, in situ site-specific performance. What happens when bio technologies - standard, modified and adaptable - that track the temporal dynamics and behavioural processes of people alive, in action towards new understandings of the variations in human time/space/place-specific response, are used in performance labs and the viewer, the supervisor, the standby, the support crews and production teams becomes part of an artwork? How are the aesthetics and protocols of operation, care, observation and communication in WET and DRI performance space cogent on utilitarian performance actuators and how are these factors identified, choreographed and orchestrated? Furthermore, what architectures and technologies arise from this?
Industrial Relevance
The aim of Pell's research is to critique and extend the human condition through the physical and psychological limits of the body and aesthetics of care operations and life support in extreme environments with new technologies, choreographies and protocols. By documenting how the body adapts to perform in extreme environment habitat situations, new technologies and bio-psycho data with predictive validity for longer durational subspace habitability will result (unhindered by the challenges and limitations of remote ocean operations for example). This research contributes widely to life support system development and understanding: from health care to the defence and military, information and surveillance systems, the mechanisms of public and private institutions, and the design and technology of living systems in, and of themselves.
Publications
- Pell, S.J (2009) Art from Analogue Missions, Space, Propulsion and Energy Sciences International Forum, Institute for Advanced Studies in the Space, Propulsion & Energy Sciences, Huntsville, AL, Von Braun Center, USA, American Institute of Physics, 7 pages, Submitted
- Pell, S.J. (2008) Post Performance: Live(d) Art and the Aesthetics of Life Support,, After Effects: Trauma, Memory, Performativity Symposium, School of English, Media and Performing Arts, Sydney, Australia, University of New South Wales, 11-withdrawn pages
- Pell, S.J, Chamberland, D. (2008) Space-related Art from Atlantica Mission, 59th International Astronautical Congress 2008, (E5.1) 19th Symposium on Space-Related Activitiy and Society, Glasgow, Scotland, The International Astronautical Federation, 7 pages
- Pell, S.J. (2008) Glenn Pilkington, Yamatji people, Perth WA, Xstrata Coal Emerging Indigenous Art Award 2008, South Brisbane, Qld Australia, Queensland Art Gallery | Gallery of Modern Art, 32 pages, ISBN=9781876509392 (bookchapter)
- Pell, S.J. (2008) Space-related Art from Atlantica Mission: artist-in-situ, 59th International Astronautical Congress 2008, LESS REMOTE: The Futures of Space Exploration. An arts and Humanities Symposium, Glasgow, Scotland, Flis Holland and The Arts Catalyst in assoc. with Leonardo and OLATS, 7 pages
- Pell, S.J. (2008) Designing a dynamic utopia of our future in Space, 59th International Astronautical Congress 2008, (D3.1) Symposium on Stepping Stones to the future: Strategies, architectures, concepts and technologies, Glasgow, Scotland, The International Astronautical Federation, 6 pages
- Pell, S.J (2008) Innovative Underwater Wireless Sensor Performance Applications, SENSORCOMM 2008 The Second International Conference on Sensor Technologies and Applications, UNWAT 2008: The Second International Workshop on Under Water Sensors and Systems, Cap Esterel, France, IEEE Computer Society Press, 6 pages, Submitted
- Pell, S.J., Clarke, R. (Winter 2007) Bits, Bytes and the Rhetoric of Practice: New Media Artist Statements, NMC Media-N, v.02 (n.03)
- Pell, S.J. (2007) Hydromedusa: Aqueous Architectures for Use in WET Spaces, MutaMorphosis: Challenging Arts & Sciences, e n t e r 3 (enter3.org) festival in the framework of the Leonardo 40th anniversary celebrations, France, CIANT, 7 pages, Submitted
- Chartres, J.A., Pell, S.J. (2007) Luna Gaia: Closed Loop Habitat for the Moon, Australian Space Science Conference 2007, National Committee for Space Science & National Space Society of Australia, Sydney, Australian Academy of Science, Poster pages
- Polli, A. (2007) Aer - The Vehicle of the Soul, greenmuseum.org
- Pell, S.J., Apfel, D., Extreme Human Environments, Milky Way PodCast, Spain, El Club de los Astronautas, n.02, 29 May 2007
- Pell., S.J (2007) BOOM! Underwater Performance and New Media, Media-Infinity: Taiwan-Australia New Media Arts Forum, Taipei, TW, National Taiwan University of Arts, 30 AV pages
- Pell., S.J. (2007) Human Performance in Subspace, Articulate Lecture Series: Performance & Environment, Communication & Creative Industries Faculty, Perth, Western Australia, Edith Cowan University, 15 AV pages, Unpublished
- Pell., S.J. (2007) Luna Gaia: Ethics, Philosophy & Social Governance, 2nd International Space & Society Conference, ISU SSP06 Team Project Presentation, Noordwijk, The Netherlands, ESA- ESTEC, 50 AV pages, Submitted
- Pell., S.J. (2007) Body Shocks: from Sub Space to Outer Space, Faculty Seminar Lecture, School of Anatomy & Human Biology, Perth, Western Australia, University of Western Australia, 75 AV pages, Unpublished
- Birringer, J. H., Performance and Science, PAJ: A Journal of Performance and Art, PAJ-85, USA, MIT Press, Vol. 25(No. 1), pp. 21-35, Jan 2007, ISBN=1520-281X
- Pell, S.J., Bortoz, F., Chartres, J., Garcia, N., Gill, T., Gauthier, J-F., Ho, K.T., Ozlati, S., Poirer, S., Scott, J., Tranfield, E., Vandersteen, J. (2006) Luna Gaia: a closed loop habitat for the moon, Directors Colloqium, NASA Ames Research Centre, Moffett Space Sciences Auditorium, California, USA, ISU, 72 pages
- Pell, S.J, ISU SSP06 Team Enviro (2006) 'Sub Culture', Space Soon: art & human space flight, In the context of the ISU Summer Session Program SSP06, London UK, The RoundHouse,, Panel & Presentation pages, Submitted
- Pell, S.J., Agenjo, A., Amaro, M., Auclair, S., Bertorz, F, Chartres, J., Deng, Y., Eisele, S., Gagnon, M,, Galley, N., Garcia, N., Gauthier, J-F., Gill, T, Griffith, K., Gou, Z., Harkins, D.T., Haslam, D.T., Ho, K.T., King, A., Kuvaeva, V., MacPhee, S., Wilfred Mbezal, H., Murray, M., O'Gallachoir, P., O'Regan, J., Onoue, N., Ozlati, S., Poirier, S., Takahashi, H., Tateshita, Y., Transfield, E., Vandersteen, J. (2006) Luna Gaia: a closed loop habitat for the moon, Final Report Edition, SSP06, Strasbourg, France, International Space University, 168 pages
- ISU Team Enviro (see above) (2006) Luna Gaia: a closed loop habitat for the moon, Team Project Presentations, ISU, Strasbourg, France, International Space University, 110 pages
- Pell, S.J (2006) AQUAVATAR Report: Freedman Foundation Travelling Arts Scholarship 2004 Report, National Association of Visual Arts, 86, Submitted
- Pell, S.J (2006) Under water performance counter measure applications in space, Life Sciences Dept. Individual Project Presentations, ISU, Strasbourg, France, International Space University, 10 pages, Unpublished
- Birringer, J., Pell, S.J., Bell, S, La Frenais, R (2006) 'Sub Culture: Duty of Care in performance', PSi12 Performance Studies International #12, School of English and Drama, Queen Mary, University of London with East End Collaborations and the Live Art Development Agen, Panel & Film pages, Submitted
- Pell, S.J. (2006) 'Hydrophilia' and subspace performance pathologies, Sensi/able Spaces: Space, Art and the Environment, Reykjavik, University of Iceland,, 9 pages, Submitted
- Pell, S.J. (2006) 'Gravity Pulse in Subspace: an introduction to Aquabatics', 25th international Space Development Conference, Los Angeles, Space Art Track, 8 pages, Submitted
- Pell, S.J. (2006) 'Performing by the rules...Underwater!', Counter-Narratives: Challenging / Conflicting / Confusing Voices., Hampshire, UK, Winchester University, 5 pages, Submitted
- Pell, S.J (2006) 'Sugar and Spice: Bones of the Skin' Review, BST Body Space Technology Journal, Vol. 6 (ISSN 1470-9120), Ch.04. Article 1
- Pell, S.J., 'Walking with Water', Perth/ London, Contemporary Arts Media, In Press, Feb 2006, ISBN=DVD SJPell
- Pell, S.J. (2005) 'Sub Culture: Preparing a public subspace habitat performancer as an analogue to outerspace operations.', Blue2005 Human Performance Limits and Behaviour in Underwater Environments, Pisa, Italy, CNR Institute of Clinical Physiology, 10 pages, Submitted
- Pell, S.J (2005) 'Sub Cultures", SymbioticA: the art & science laboratory, University of Western Australia, The School of Anatomy & Human Biology, AV pages
- Anthony, D., 'Petrification' Sarah Jane Pell & Lawrence English, Vulture, ARC Biennale New Med, Sydney, Australia, ABC TV, Mon, 2 Nov 2005
- Pell, S.J. (2005) 'Underwater Performance', RAW Residency Artist Talks, Brisbane Australia, The Institute of Modern Art, AV pages
- Birringer, J., Danjoux, M (2005) 'The Telematic Dress: evolving garments and distributed prior-proception in streaming media & fashion performance', Wearable Technologies Conference, Leeds, UK, Leeds University
- Marshall, J.,, 'The Art of Life Support', Real Time & On Screen, First, Sydney, Australia, Open City Inc., Vol 68( Aug/Sep), p 48, Sep 2005, ISBN=1321-4799
- Pell, S.J. (2005) New Work 'Aquabatics', Artlink, Contemporary Art Quarterly, Vol 25 (No. 3), p 58-59
- Pell, S.J. (2005) 'Walking with Water', Intersector, Vol 11 (No. 6), p 26
- English, A., Sarah Jane Pell 'Under Current', Art Monthly Australia, Acton ACT, Art Monthly Australia Ltd, p 51, Jun 2005, ISBN=10334025
- McDonald Crowley, A., 'New Media Art investment in Australia', ARSIS 3-04 New Media Art and Multi-Media, Finland, Helsinki University Press, p 26-28, Mar 2005
- Pell, S.J. (2005) 'Hydrophilia and Hydrophobia: underwater performance post Tsunami', MAF05, Bangkok, Thailand, Multimedia Asia Pacific Festival Conference, AV + 2 pages, Submitted
- Pell, S.J. (2005) 'The Quo Vardis Tardis', a-n The Artist Information Company Magazine UK, Vol 02 (ISSN 02613425), p 26-27
- Pierce, J, 'Beyond the Borders of Turing-Land', MESH 17: New Media Art in Australia and Asia, Melbourne Australia, Experimenta for the Australia Council, 9 Jan 2005
- Birringer, J., The Gargarin System: Reflections on "Synnesthesia and Multimedia" a workshop at Enfuit University, December 2004, DAT, Live Art Research On-Line Unit, UK, Nottingham Trent University, 2005
- Roudavski, S., 'International Symposium on Electronic Arts (ISEA) 2004', Art Fairs International, Jan 2005
- Roudavski, S., 'ISEA 2004 Layers of Performance', NY Arts Magazine, NY, NY Arts Magazine 1995-2004, 31 Dec 2004
- Bell, S., 'Heidegger & BioTech Art', School of Anatomy & Human Biology, University of Western Australia, Paper given at SymbioticA, the art & science laboratory, Unpublished, 17 Dec 2004
- Pell, S.J. (2004) Sarah Jane Pell Artist Lecture, Showroom II, Dance 4 & The Bonnington Gallery, Arkwright Building, Nottingham Trent University UK, AV pages
- Pell, S.J., Hudson, K.L. (2004) 'Falterings - Conversations at the Intersection', BEAP04 Creative Connections Symposium, Edith Cowan University, Biennale of Electronic Arts, 12 pages, Unpublished
- Fitzgerald, M.,, 'Giving (Real) Life to Art', TIME, Sydney, TIME Australia Magazine Pty Ltd, p 66-67, 23 Aug 2004
- Pell, S.J., Zurr, I, Helyer, N., Catts, O (2004) Lifeboat: Artists and Scientists in Collaboration, ISEA2004 International Syposium of Electronic Arts, Cinema Kosmos, Tallin,, Estonian Academy of Arts, AV pages
- Pell, S.J. (2004) 'Locating Aquabatics', Site/Sight <-> Source/Resource Symposium, Cornwell, UK, The University of Exeter, AV pages, Unpublished
- Pell, S.J. (2004) 'What does "Aquabatics as new works of live art" propose?', Interdisciplinary Encounters, International Centre for Language & Landscape, Edith Cowan University, Western Australia, AV + 5 pages, Unpublished
- Norro, N., 'Lifeboat, Cultivating Living Cells and Critical Biological Art', ISEA04 Magazine, Finland, M-Cult, 2004
- Hoggarth, J, 'Underwater Love', Perth Woman, Autumn, East Perth, Australia, Shields Media, Issue(12), p 128-129, 2004, ISBN=1445-3215
- O’Donnell, M, Underwater Opera, Stateline, ABC TV 730 Report, 7 Dec 2003
- Jansen, A., New Wave Artist, The West Magazine, p.27-28 pp. 2, 27, 2, 29 Nov 2003
- McGarth, J, OCH 15, Art Seen in WA, November 2003
- Keegan, T, Art under the water pushes boundaries, Busselton-Margaret Times, p.10 pp.10, 16 Oct 2003
- Keegan, T., Our own little Mermaid, Busselton Herald, p.1, pp.1, 16 Oct 2003
- Brennan, M., A Meeting of Minds in Midland, The National Review of Live Art Midland, p. 4-6, October 2003
- 'Moose', 'Balls n' All' Sports & Leisure Show: Sarah Jane Pell, Chanel 31, Television Interview, 1 Sep 2003
- Miller, S., In Repertoire; a guide to Australian new media art, Australia Council Arts-Resources, Sydney, Australia, Real Time for the Australia Council, p.10, August 2003, ISBN=1 920784 05 5
- Margetson, R., Underwater Opera, ABC ASIAPACIFIC Magazine, August 2003
- Bartlett, I, This life today, ABC 720FM, Commentary, 23 Jul 2003
- Pell, S.J. (2003) 'New Territories incorporating the National Review of Live Art, Feburary 2003. Glasgow, Scotland', Australian Network of Art & Technology Newsletter, No. 53 (ISSN 1443-8569), p 12-13
- Pell, S.J. (2003) 'Aquabatics', Articulate Lecture Series, School of Contemporary Arts, Edith Cowan University, AV pages, Submitted
- Anderson, D, 'Umbra: Sarah Jane Pell', Channel 31, Television Interview, May 2003
- O'Donnell, M, 'Sarah Jane Pell', ABC TV, 730 Report(Stateline), Television Interview, 11 Apr 2003
- Flindell, S, Cultural Exchange and the National Review of Live Art, Midland, AFWA Newsletter, Vol 12 Ed. #3(Swap + Meet), p.10 pp.1, 32, Spring 2003
- Taylor, H, Arts Today, ABC Australia, Radio Interview, 13 Feb 2003
- Sharpe, R, 'Five Live', BBC London, Radio Interview, 12 Feb 2003
- Pell, S J, 'Aquabatics', The Underwater Centre Fremantle, 11 Feb 2003
- APP, Perth Artist Prepares for Underwater Opera, Sydney Morning Herald, 114, 10 Feb 2003
- Bennet-Jones, O. & Marshall, J, 'The World Today', BBC World Service ASIA, Radio Interview, 9 Feb 2003
- APP, 'NASA keen to enlist ‘human goldfish’, Sydney Morning Herald, www.smh.com.au/artic, 6 Feb 2003
- Carr, E, Alphabet Troupes, Sunday Herald (UK), 2 Feb 2003
- Pell, S J, Australian Underwater Artist prepares for International Premiere of her New Work, Dive Log Australasia, 22, February 2003
- Brennan, M, Open your mind to the new, The Herald (UK), 30 Jan 2003
- Bartlett, I, This life today, ABC 720FM, Radio Interview, 28 Jan 2003
- Brown, M, Small piece of genius, The Scotsman (UK), 28 Jan 2003
- Hewitt, S, Performer goes below the surface for art, The West Australian, pp.5, 25 Jan 2003
- Pell, S.J. (2003) 'NRLA Glasgow 2003', New Territories, The National Review of Live Art, Glasgow, New Moves International On-Line Archives
- Pell, S.J. (2003) 'Aquabatics as Live Art', SPARK03 -Art & Technology Conference, Hamilton, New Zealand, Waitiko University, AV pages, Unpublished
- Weston, N, Aesthetic quality speaks volumes, The West Australian, p.12-13, 7 Sep 2002
- Pell, S.J. (2002) ARTi Aquabatics Research Operations Manual, Second Edition, Western Australia, Edith Cowan University, 190 pages, In Press
- Peacock, T, PhD embraces life in the fishbowl, The Australian, pp.39, 3 Jul 2002
- De la Harpe, M, Aquabatics, Campus Review, pp.1, pp.3, p.4, 4 Jun 2002
- Pell, S J, Post Performance: The Many-To-Many World, Victorian University of Technology, 1998
Previous Positions
2009, One Millimeter Square Space Art,,
JAXA Japan Aerospace Exploration Agency,
GOSAT Payload H-IIA 2009,
SPRITE-SAT
2008-2008, Research Fellow,
Monash University,
Faculty of Art and Design,
2008 Woman in Research Project
2007, Freshwater::SaltWater,
Central TAFE Gallery Perth,
Exhibition and Artist Residency,
'The To and Flow'
2007, Media Infinity-Taiwan-Australia New Media Arts Exhibition,
Kuandu Museum of Fine Arts,
Taipei,
'Walking with Water' (excerpt)
2007, BOOM! An interplay of Fast & Frozen Permutations in New Media,
National Taiwan University of Arts,
Taiwan-Australia New Media Exhibition,
'Walking with Water' (excerpt)
2007-2007, Space Generation Congress 2007,
Space Generation Advisory Council,
Hyderabad, India,
Moon Mars Habitat Design Competition
2006, MAF06,
Multimedia Asia Pacific Festival, Bangkok,
Performance Documentary,
'Revolutions'
2006, Space Soon: art & human space flight,
The RoundHouse,
London UK,
Exhibition & Symposium,
'Sub Culture'
2006, Hatched,
Perth Institute of Contemporary Arts, Perth,
Group Exhibition,
'Walking with Water' (excerpt)
2006, TRACT: live art festival,
Newlyn Art Gallery,
Penzance, Cornwall UK,
Performance & Residency,
'Hydrophilia'
2006, GA2006 Generative Art Conference,
Politecnico di Milano University,
Piazza Leonardo da Vinci,
20133 Milano, Italy,
(Dec)
2006, Bacterial transformation Workshop,
University of Western Australia,
SymbioticA: art & science laboratory,
Agriculture
2006, Freedman Foundation Scholars Exhibition,
DEPOT: Danks Street Gallery, Sydney,
Group Exhibition,
'Walking with Water' (excerpt)
2006, University of Iceland,
Rejkavich,
Exhibition,
'Hydrophilia' / SPARTEN, Space Art and the Environment
2005, ARC Biennale,
Brisbane,
Performance Collaboration English, Pell,
'Petrification'
2005, MAF05,
Multimedia Asia Pacific Festival,
Bangkok,
Performance Documentary,
'Hydrophilia'
2005, <Touch Me>,
Kontejner & Mi2 Zagreb, Croatia,
Collaboration Catts, Helyer, Pell & Zurr,
'Lifeboat'
2005, Hands Free Series,
Dorchester Arts Centre,
Dorchester, England,
Performance Documentary,
'Hydrophilia'
2005, Western Australian Maritime Musuem,
Victoria Quay Australia,
Solo Retrospective Exhibition,
'Walking with Water'
2004, Reader,
British Library,
Humanities One
2004, BEAP04,
Biennale of Electronic Arts, Perth,
PICA,
Solo Performance,
'Hydrophilia'
2004, Time_Place_Space #3,
AIT Arts Adelaide,
South Australia,
New Media Arts Workshop
2004, Perth Institute of Contemporary Art,
Solo Exhibition,
'Sea of Live(d) Dreams'
2004, Show Room II,
The Bonnington Gallery,
Nottingham,
Solo Performance,
'Under Current V'
2004, Emergency,
The Greenroom Theatre,,
Manchester, UK,
Solo Performance,
'Under Current IV'
2004, The Space Between Conference,
Terminal Exhibition,
Live Art,
'Trans.Port' (Terminal Velocity)
2004, ISEA04,
International Symposium Electronic Arts,
The Baltic,
Collaboration Catts, Helyer, Pell & Zurr,
'Lifeboat'
2004, Int. Language & Landscape Conference,
On the Beach, Interdisciplinary Encounters,
Fremantle Maritime Museum, Australia,
'Trans.Port' (Aqua Naughtiness)
2004-2004, Visiting Fellow,
Nottingham Trent University,
School of Art & Design,
Live Art Unit
2003, Perth Institute of Contemporary Art,
Putting On An Act,
Solo Performance,
'Under Current'
2003, New Territories incorporating the National Review of Live Ar,
Glasgow, UK,
Solo Performance,
'Second Nature: Second Skin'
2003, 'Under.Current II',
OCH #15,
Fremantle Festival of the Arts,
Moores Building & Contemporary Art Gallery,
(Solo Performance; Group Exhibition)
2002, Spectrum Gallery & Project Space,
Australia,
Solo Exhibition,
'Rapture'
2002, Spectrum Gallery & Project Space,
'Inaugural SOVA Staff',
Group Exhibition
2002, The National Review of Live Art,
Midland Railway Workshops,
Solo Performance,
'Training'
2001, Prospect Gallery,
Prospect Portrait Prize,
'Life After Hours',
Group Exhibition (Finalist)
2000-2001, Gallery Supervisor,
Flinders Lane Gallery,
Melbourne,
Australia
1999, The Melbourne Food & Wine Festival,
Swanston Street Walk,
Devised Public Live Art Event,
'Breakfast'
1998-1999, Assistant Director,
Renard Wardell Gallery,
Richmond,
Australia
1998, Prince of Wales Hotel, Seymour,
'Tickets and Post Cards',
Solo Exhibition
1998, Lloyd Rees Memorial Youth Art Award,
Lane Cove Sydney,
Australia,
Group Exhibition
1998, Kingston Arts Centre Gallery,
'Art Blitz '98',
Group Exhibition (Award Winner)
1998, The National Gallery of Victoria,
Forecourt Installation,
Solo Exhibition,
'Substance & Transparency'
1997, University of Melbourne,
George Paton Gallery,
'Post Performance: Cell Experiments',
Solo Exhibition
1997, Hotel Sofitel,
Arthur Streeton Auditorium,
'The Many-To-Many World II',
Devised & Performed Group 'Happening'
1997, The National Gallery of Victoria,
The Great Hall,
'The Many-To-Many World',
Devised & Performed Group 'Happening'
1997-1999, Arts Project Consultant,
Maudie Palmer & Associates,
Melbourne International Festival for the Arts, Moet & Chandon Australian Art Foundation,
Australia
1996, Walker Street Gallery,
Dandenong,
'9' x 7'',
Group Exhibition
1996, Voartile Gallery,
Geelong,
'An Element of Metal',
Group Exhibition
1996, Victorian University of Technology,
V-Fest 96',
'Body on the Brink',
Group Exhibition
1996-1998, Arts Consultant for Projects,
The National Gallery of Victoria,
Public Programs Division,
Australia
1996, Victorian University of Technology,
E Theatre,
'Post Performance: Cell Experiments',
Solo Performance
1995, Curator & Artist,
The Universal Theatre,
Fitzroy,
'Urban Lives',
Group Exhibition
1995, Victorian College of the Arts,
School of Art Gallery,
'Presence: Absence',
Group Exhibition
1995, Victorian College of the Arts,
School of Arts Gallery,
'Removed Materials',
Solo Performance
1995, Victorian College of the Arts,
School of Drawing,
Bachelor of Fine Art Graduate Exhibition,
Group Exhibition (Award Winner)
Honors and Awards
2005-2006,
BEAPWorks Research & Development Grant,
Visual Arts and Crafts Strategy, an initiative of the Australian, State and Territory Governments.
2004-2005,
Travelling Arts Scholarship,
The Freedman Foundation,
Australia
2003-2005,
Post Graduate Research Scholarship,
Edith Cowan University, Western Australia,
Research, Enterprise & Advancement
2002-2003,
Post Graduate Research Award,
WAAPA,
Edith Cowan University
1995, Mixed Media,
Irene Sutton, Sutton Gallery,
Victorian College of the Arts
Funding Received
- Edith Cowan University: Alumni - International Cultural Communication, 2007 to 2007.
- The State of Western Australia through ArtsWA: New Work Distribution Grant, 2006 to 2007.
- International Space University, Strasbourg: ISU Academic Scholarship SSP06, MSS 06-07, 2006 to 2007.
- Visual Arts and Crafts Strategy, an initiative of the Australian, State and Territory Governments.: BEAPWorks Research & Development Grant, 2005 to 2006.
- New Media Arts Board, The Australia Council: New Work Grant (LifeBoat), 2004 to 2004.
- The State of Western Australia through ArtsWA: Artflight Grant, 2004 to 2005.
- National Association for the Visual Arts, Australia: NAVA Artists Grant, 2004 to 2004.
- City of Fremantle, Western Australia: Cultural Development Grant, 2004 to 2004.
- The Freedman Foundation, Australia: International Travelling Arts Scholarship, 2004 to 2005.
- Edith Cowan University: Research, Enterprise & Advancement Scholarship, 2003 to 2005.
- Perth Institute for Contemporary Arts, Australia: Research & Development Grant, 2003 to 2004.
- Australian Network for Art & Technology: Conference Attendance Fund, 2003 to 2003.
- Edith Cowan University: WAAPA Post Graduate Research Award, 2002 to 2003.
Keywords
COS Keywords:
Interdisciplinary Art Forms, Media Arts, Performing Arts, Visual Arts.Additional Terms:
Art and Science Collaboration, Human Performance and Behaviour Studies, Innovative Countermeasures for Space, Space and Art, Underwater Technologies and Performance,Languages
(Reading, Writing, Speaking)
English: (Fluent, Fluent, Fluent)
Profile Details
Last Verified: 10/15/2009
COS Expertise ID #1102330
Reference this profile directly: http://myprofile.cos.com/spellart
Individual Expertise profile of Sarah Jane Pell, Copyright Sarah Jane Pell.
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